BRITISH author Kazuo Ishiguro, best known for his novel “The Remains of the Day” and whose uprooting from his native Japan has left an indelible stamp on his work, won the 2017 Nobel Literature Prize yesterday.
The 62-year-old, “in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world,” the Nobel citation read.
Contacted by the BBC, Ishiguro said he was “flabbergastingly flattered” by the award. “It’s a magnificent honor, mainly because it means that I’m in the footsteps of the greatest authors that have lived.”
Ishiguro has written eight books as well as scripts for film and television.
In 1989, he won the Man Booker Prize for “The Remains of the Day,” which was published the same year, and in 1995, he was awarded the Order of the British Empire for his services to literature.
“This year’s laureate is a brilliant and even exquisite novelist,” said Sara Danius, the permanent secretary of the Swedish Academy. She called “The Remains of the Day” a “masterpiece.” “It was huge already when it was released. The movie is good too. But it has grown with time, it’s a reflection of a class society that has disappeared.”
Born in Nagasaki in 1954, nine years after the United States dropped a nuclear bomb on the city to end World War II, Ishiguro moved to Britain with his family when he was 5. He only returned to visit Japan some three decades later.
Both his first novel “A Pale View of Hills” from 1982 and the subsequent one, “An Artist of the Floating World” from 1986, take place in Nagasaki a few years after WWII. “The themes Ishiguro is most associated with are already present here: memory, time and self-delusion,” the academy said.
“This is particularly notable in his most renowned novel, ‘The Remains of the Day,’” which was turned into a 1993 film starring Anthony Hopkins and Emma Thompson. Charting the life of a painfully shy, duty-obsessed English butler, the film was nominated for eight Oscars.
“Ishiguro’s writings are marked by a carefully restrained mode of expression, independent of whatever events are taking place,” the academy said.
In a 1989 interview with Bomb Magazine, Ishiguro said: “I tend to be attracted to prewar and postwar settings because I’m interested in this business of values and ideals being tested, and people having to face up to the notion that their ideals weren’t quite what they thought they were before the test came.”
In a 1991 interview with former Nobel laureate Kenzaburo Oe of Japan, Ishiguro said the Japan he wrote about in “An Artist In the Floating World” was “very much my own personal, imaginary Japan.”
“This may have a lot to do with my own personal history. As a small child, I was taken away from the people I knew, like my grandparents and my friends.
“I couldn’t forget Japan because I had to prepare myself for returning to it. So I grew up with a very strong image in my head of this other country, a very important other country to which I had a strong emotional tie.”
His more recent fiction contains elements of fantasy.
With the critically acclaimed dystopian work “Never Let Me Go” from 2005, Ishiguro introduced “a cold undercurrent” of science fiction into his work.
His latest novel, “The Buried Giant” from 2015, explores “in a moving manner, how memory relates to oblivion, history to the present, and fantasy to reality,” the academy noted. In the book, an elderly couple go on a road trip through an archaic English landscape, hoping to reunite with their adult son, whom they have not seen for years.
Ishiguro, who early in his life wanted to be a rock star, “a new Dylan or something,” was not among those tipped as a favorite for this year’s Nobel.
Now, he and Bob Dylan have something in common. Last year, the 18 members of the Swedish Academy stunned the world by awarding the prestigious honor to the American rock legend.
The Nobel comes with a US$1.1 million award. Ishiguro will receive his prize in Stockholm on December 10.